May

Everything sings with Ravel: the strings of Daphnis and Chloé, the piano of the Water Games or the whirlwind of fantastic characters from L'Enfant et les Sortilèges. However, his work for a cappella choir is reduced to twirling but very short Three songs. Never mind ! Didn't Ravel himself transcribe, here for piano, there for orchestra, a good part of his catalog? Here is Ma Mère l'Oye, Miroirs, Scheherazade offered to the virtuosity and playfulness of the singers of the Métaboles - and in creation, the transcriptions of the Bolero and the Pavane pour une infante defunte by Thibault Perrine.
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In 1994, Messe un jour ordinaire crossed the vehement and shattering words of mass with that, individual and derisory, of Laurence, a young drug addict who appeared in a documentary by Jean-Michel Carré. 20 years later, Bernard Cavanna rewrites it to reinforce the presence of voice and choir.
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June

Opera in four acts by Zhou Long, libretto by Cerise Lim Jacobs.
Created in 2010 by Opera Boston.
Opéra Comique presents this spectacular and visually powerful production as part of an exceptional partnership with the Beijing Music Festival.
Plus de détails...

Opera in four acts by Zhou Long, libretto by Cerise Lim Jacobs.
Created in 2010 by Opera Boston.
Opéra Comique presents this spectacular and visually powerful production as part of an exceptional partnership with the Beijing Music Festival.
Plus de détails...

Opera in four acts by Zhou Long, libretto by Cerise Lim Jacobs.
Created in 2010 by Opera Boston.
Opéra Comique presents this spectacular and visually powerful production as part of an exceptional partnership with the Beijing Music Festival.
Plus de détails...

Opera in four acts by Zhou Long, libretto by Cerise Lim Jacobs.
Created in 2010 by Opera Boston.
Opéra Comique presents this spectacular and visually powerful production as part of an exceptional partnership with the Beijing Music Festival.
Plus de détails...
July

Les Métaboles, as a vocal quartet, present Romance du soir, a series of concerts to hear the jewels of a cappella vocal music from the Renaissance to the 20th century.
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Les Métaboles, as a vocal quartet, present Romance du soir, a series of concerts to hear the jewels of a cappella vocal music from the Renaissance to the 20th century.
Plus de détails...

Les Métaboles, as a vocal quartet, present Romance du soir, a series of concerts to hear the jewels of a cappella vocal music from the Renaissance to the 20th century.
Plus de détails...

ARCO - art, research and creation, opus 2022 - is a binational university dedicated to musical creation, an association between the Mozarteum University of Salzburg, Gmem-Marseille (one of the French national centers for musical creation) and French ensembles: Multilaterale, Les Métaboles and the Tana String Quartet.
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ARCO – Art, Research and Creation Opus 2022 – is a binational university dedicated to musical creation, association between the Mozarteum University Salzbourg, Gmem-Marseille (one of the French National Center of Musical Creation) and French ensembles Multilaterale, Les Métaboles and Tana string quartet.
ARCO 2022 will be hosted by Mozarteum University Salzburg.
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ARCO - art, research and creation, opus 2022 - is a binational university dedicated to musical creation, an association between the Mozarteum University of Salzburg, Gmem-Marseille (one of the French national centers for musical creation) and French ensembles: Multilaterale, Les Métaboles and the Tana String Quartet.
Plus de détails...

ARCO - art, research and creation, opus 2022 - is a binational university dedicated to musical creation, an association between the Mozarteum University of Salzburg, Gmem-Marseille (one of the French national centers for musical creation) and French ensembles: Multilaterale, Les Métaboles and the Tana String Quartet.
Plus de détails...
August

During a trip to Italy, Marc-Antoine Charpentier observed what in Venice was called the "cori spezzati": the dialogue of vocal groups installed on either side of a church. In this program he works alongside Gregori Allegri and Lithuanian composer Juta Pranulyte. But the centerpiece of this new program is signed Orazio Benevolo, a little-known musician, chapel master at the Vatican from 1646 to 1672. Thanks to the conductor and musicologist Louis Castelain, who patiently copied the score in a Roman library, the Metaboles sing for the first time since the 17th century this four-choir Mass by the Italian composer.
Plus de détails...

Everything sings with Ravel: the strings of Daphnis and Chloé, the piano of the Water Games or the whirlwind of fantastic characters from L'Enfant et les Sortilèges. However, his work for a cappella choir is reduced to twirling but very short Three songs. Never mind ! Didn't Ravel himself transcribe, here for piano, there for orchestra, a good part of his catalog? Here is Ma Mère l'Oye, Miroirs, Scheherazade offered to the virtuosity and playfulness of the singers of the Métaboles - and in creation, the transcriptions of the Bolero and the Pavane pour une infante defunte by Thibault Perrine.
Plus de détails...

During a trip to Italy, Marc-Antoine Charpentier observed what in Venice was called the "cori spezzati": the dialogue of vocal groups installed on either side of a church. In this program he works alongside Gregori Allegri and Lithuanian composer Juta Pranulyte. But the centerpiece of this new program is signed Orazio Benevolo, a little-known musician, chapel master at the Vatican from 1646 to 1672. Thanks to the conductor and musicologist Louis Castelain, who patiently copied the score in a Roman library, the Metaboles sing for the first time since the 17th century this four-choir Mass by the Italian composer.
Plus de détails...

During a trip to Italy, Marc-Antoine Charpentier observed what in Venice was called the "cori spezzati": the dialogue of vocal groups installed on either side of a church. In this program he works alongside Gregori Allegri and Lithuanian composer Juta Pranulyte. But the centerpiece of this new program is signed Orazio Benevolo, a little-known musician, chapel master at the Vatican from 1646 to 1672. Thanks to the conductor and musicologist Louis Castelain, who patiently copied the score in a Roman library, the Metaboles sing for the first time since the 17th century this four-choir Mass by the Italian composer.
Plus de détails...