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Yann Robin and Yannick Haenel, with the help of Arthur Nauzyciel, imagined a unique monodrama, an unidentified operatic object with 27 artists on stage. Embodying the young woman, Élise Chauvin is an actress-singer, her voice is a throbbing and panting breath. Singing is the realm of the Choir which, completed by ensemble and electronics, acts as a guide to death, based on the Tibetan Book of the Dead, the Bardo THöd (r) ol which means "the great guide by listening in intermediate states ”.

A program around nature and sound ecology with classes from the city of Gonesse.
Murray Schafer, Camille Saint-Saëns, Maurice Ravel, des musique populaire arrangée par Brice Léger, Charles Trenet...

Les Métaboles
Léo Warynski, musical direction

Liebeslieder Walzer - Johannes Brahms

Behind Brahms the Titan, ambitious heir to Beethoven and Schumann, stands the lover of the voice, the complicit observer of Viennese customs. This is the one who composes waltzes for four hands piano and vocal ensemble, intended for amateurs. Love songs to the rhythm of dance, these Liebeslieder Walzer alternately express desire, nostalgia, sorrow, and fun in the dialogue of hearts. To this emblematic collection, Léo Warynski joins several gems of Brahmsian vocal art, in which the colors of his Metaboles shine.

Les Métaboles
Yoan Héreau et Edoardo Torbianelli, piano
Léo Warynski, musical direction

Festival ManiFeste-2021de l'IRCAM

Avec

Fanny Vicens, accordion
Remi Jousselme, guitar
Frédéric Baldassare, cello
Guilhem Terrail, countertenor

Les Métaboles
Anne-Claire Baconnais, soprano
Aurélie Bouglé, mezzo
Laura Muller, alto
Steve Zheng, ténor
Vincent Bouchot, baryton
René Ramos-Premier, basse

Léo Warynski ,direction

Oren Boneh, Augustin Muller, Gilbert Nouno, Roque Rivas informatic musical realisation musicale Ircam

Beethoven had already wanted his Hymn to Joy as a call to universal brotherhood. Europe has adopted this hymn, embodied here by association and corporate choirs uniting for a vast tour of Europe including the refugees, who are also part of the community.

Léo Warynski, conductor
Sophie Boucheron, choir director

From the companionship that unites Les Métaboles with composer Dimitri Tchesnokov was born the Mysterious Nativity program, composed of works of works from the 20th and 21st centuries, mainly Russian. A program in the image of the Métaboles, which defends the choral repertoire.

Les Métaboles
Léo Warynski, musical direction

Playing for Philharmonie is a project who brings together, alongside the Orchester Les Siècles and Les Métaboles, amateur instrumentalists and choristers from the Société Générale, which prepares the program throughout the year.

Le projet Playing for Philharmonie réunit, aux côtés de l’Orchestre Les Siècles et de l'ensemble les Métaboles, des instrumentistes et choristes amateurs de la Société générale, qui prépare le programme tout au long de l'année.

A program of great arias for choir and orchestra: Requiem, Mozart ; Magnificat, Bach; Pavane, Fauré; Nabucco, Verdi ...

With Les Frivolités parisiennes

From the companionship that unites Les Métaboles with composer Dimitri Tchesnokov was born the Mysterious Nativity program, composed of works of works from the 20th and 21st centuries, mainly Russian. A program in the image of the Métaboles, which defends the choral repertoire.

Les Métaboles
Léo Warynski, musical direction

Les semaines musicales de Quimper

De grandes pages de la musique vocale de Maurice Ravel ainsi que des transcriptions dont celles, spécifiquement faites par Thibault Perrine pour les Métaboles, Le Boléro et La Pavane pour une Infante défunte.

The Angels is the 4th album of the Métaboles. the program combines Jonathan Harvey, a great contemporary English composer, with other illustrious vocal composers.

At the initiative of the Royaumont Foundation, les Métaboles and l'Orchestre régional de Normandie will perform an original musical program that brings together Camille Saint-Saëns and the young French composer Basile Chassaing, winner in 2019 of the Académie Voix Nouvelles de la Royaumont Foundation. Entitled “Oratorios”, this project combines a contemporary creation and a major work from the repertoire according to the same theme.

Les Métaboles
L'Orchestre régional de Normandie
Léo Waryski, direction

The opening concert for the 2021-2022 season highlights the masterpieces of great French artists, Camille Saint-Saens, Reynaldo Hahn and Claude Debussy. To these composers is added Édith Canat de Chizy with Apocalypsis, a world creation for choir and orchestra.

This powerful work, commissioned to mark the 800th anniversary of Metz Cathedral, will resonate with force in the Great Hall of the Arsenal.

At the initiative of the Royaumont Foundation, les Métaboles and l'Orchestre régional de Normandie will perform an original musical program that brings together Camille Saint-Saëns and the young French composer Basile Chassaing, winner in 2019 of the Académie Voix Nouvelles de la Royaumont Foundation. Entitled “Oratorios”, this project combines a contemporary creation and a major work from the repertoire according to the same theme.

Les Métaboles
L'Orchestre régional de Normandie
Léo Waryski, direction

Behind Brahms the Titan, ambitious heir to Beethoven and Schumann, stands the lover of the voice, the complicit observer of Viennese customs. This is the one who composes waltzes for four hands piano and vocal ensemble, intended for amateurs. Love songs to the rhythm of dance, these Liebeslieder Walzer alternately express desire, nostalgia, sorrow, and fun in the dialogue of hearts. To this emblematic collection, Léo Warynski joins several gems of Brahmsian vocal art, in which the colors of his Metaboles shine.

Les Métaboles
Yoan Héreau et Edoardo Torbianelli, piano
Léo Warynski, musical direction

A woman comes home. She gets comfortable, helps herself a glass to drink, gets ready to eat. Soon, his speech, like a flow of thought, reveals loopholes from which images, memories spring up. She realizes, and the audience with her, that she is in shock: she has just had a car accident ...

Une femme rentre chez elle. Elle se met à l’aise, se sert un verre à boire, se prépare à manger. Bientôt, son discours, comme un flux de pensée, révèle des failles d’où jaillissent des images, des souvenirs. Elle se rend compte, et le public avec elle, qu’elle est sous le choc : elle vient d’avoir un accident de voiture...