A work by composer Giulia Lorusso for Les Métaboles

Musical moments offered by Les Métaboles in a small group (four singers, generally) who perform in the city in order to reach a wide audience

This program spans over three centuries of history, notably revealing the aesthetic shock experienced by 19th-century French composers upon discovering the beauties of the Italian Renaissance. A journey conceived by conductor Léo Warynski and his ensemble Les Métaboles, a revelation in recent years in the field of choral music.

Musical moments offered by Les Métaboles in a small group (four singers, generally) who perform in the city in order to reach a wide audience

A major masterpiece and the greatest mystery in the history of music, Mozart’s Requiem will be performed in a version completed by Michael Ostrzyga, faithful to the composer’s spirit. This legendary work is presented in a fresh light, introduced by Philippe Hersant’s *À Mnémosyne*, serving as a poetic and meditative prelude before the dramatic intensity of the Requiem unfolds.

Featuring the Orchestre de la Garde républicaine and the participation of the amateur choirs L’Aubade, Chorustodunum,Divertimento, La Petite Cantate, Singall, A Grand Vent.

 From Renaissance polyphony to contemporary works, Après un rêve traces a vocal journey from Josquin Desprez to Ondrej Adamek, via Brahms, Fauré, Debussy, and Ravel. Les Métaboles, in a small ensemble, present a sensitive and poetic program...

From Francis Poulenc to Leonard Bernstein, via Arvo Pärt and Julia Wolfe, this program charts a spiritual journey marked by contemplation, inner tension, and shared momentum.

Beneath the vaults of Vézelay, Les Métaboles and the Orchestre national de Metz Grand Est, conducted by Léo Warynski, weave a sensitive dialogue between silence, prayer, and choral energy. Bernstein’s Chichester Psalms bring the evening to a close in a luminous jubilation, where singing becomes a collective gesture and a space of brotherhood.

Their voices “come very close to the heavenly spheres” (La Croix): 
Les Métaboles, the choir directed by Léo Warynski, gather near Madrid. Featuring two leading composers: Domenico Scarlatti, music master at the court of the King of Spain and composer of a Stabat Mater for ten voices that rivals the angels; and Arvo Pärt, who, following the March 11, 2004, attacks in the Spanish capital, wrote a Da Pacem Domine imbued with a sense of eternity.

A pioneer of acoustic ecology, Murray Schafer unites voice and nature. Vox Naturae offers a vocal and shamanic experience in which elements and animals come to life. Complemented by a piece from Estonian composer Veljo Tormis, this vocal and dance program is brought to life through choreography by Éric Oberdorff, ensuring an extraordinary, mystical experience for the audience.

This program spans over three centuries of history, notably revealing the aesthetic shock experienced by 19th-century French composers upon discovering the beauties of the Italian Renaissance. A journey conceived by conductor Léo Warynski and his ensemble Les Métaboles, a revelation in recent years in the field of choral music.

From Renaissance polyphony to contemporary creations, Après un rêve (After a dream) traces a vocal journey from Josquin Desprez to Ondřej Adámek, via Brahms, Fauré, Debussy and Ravel.

By playing on the hypnotic repetition of floating motifs, minimalist music offers a fascinating sonic experience. This is the case with Another Look at Harmony, a sumptuous work by the American Philip Glass, the last part of which, for choir and organ, draws on references to Gregorian chant. Renowned interpreters of the music of our time, Les Métaboles and their conductor Léo Warynski are joined by scenographers and directors Céline Diez and Clément Debailleul to dedicate a captivating musical and visual spectacle to him.

From Renaissance polyphony to contemporary creations, Après un rêve (After a dream) traces a vocal journey from Josquin Desprez to Ondřej Adámek, via Brahms, Fauré, Debussy and Ravel.

An event organized by Culturevent and la Cité de Carcassonne.

Accompanied by the Africa Lyrics choir, Les Métaboles invite you on a choral journey around the world. Works by Villa-Lobos, Marco Leite, Alberto Grau, and Christian Onyeji sit alongside traditional Maori, Zulu, and Guinean songs. A heartwarming concert to celebrate Christmas.

Accompanied by the Africa Lyrics choir, Les Métaboles invite you on a choral journey around the world. Works by Villa-Lobos, Marco Leite, Alberto Grau, and Christian Onyeji sit alongside traditional Maori, Zulu, and Guinean songs. A heartwarming concert to celebrate Christmas.

A landmark new evening-length work by celebrated choreographer Lucinda Childs, created for Gibney Company and set to a major score by Philip Glass that has never been choreographed at this scale. Premiering in January 2027 at New York City Center, the work is conceived in celebration of Philip Glass’ 90^th birthday and reunites two defining figures of American minimalism in a rare and timely artistic convergence. This piece will be accompanied by live music performed by the 19-piece French ensemble, Les Métaboles.

A landmark new evening-length work by celebrated choreographer Lucinda Childs, created for Gibney Company and set to a major score by Philip Glass that has never been choreographed at this scale. Premiering in January 2027 at New York City Center, the work is conceived in celebration of Philip Glass’ 90^th birthday and reunites two defining figures of American minimalism in a rare and timely artistic convergence. This piece will be accompanied by live music performed by the 19-piece French ensemble, Les Métaboles.

A landmark new evening-length work by celebrated choreographer Lucinda Childs, created for Gibney Company and set to a major score by Philip Glass that has never been choreographed at this scale. Premiering in January 2027 at New York City Center, the work is conceived in celebration of Philip Glass’ 90^th birthday and reunites two defining figures of American minimalism in a rare and timely artistic convergence. This piece will be accompanied by live music performed by the 19-piece French ensemble, Les Métaboles.

Les Métaboles joins the orchestre philharmonique de Radio France to close the 37th edition of the Présences Festival, this year dedicated to Arvo Pärt. This program pairs two major works by the composer (Spiegel im Spiegel, Salve Regina) with contemporary creations, including two world premieres.

This program spans over three centuries of history, notably revealing the aesthetic shock experienced by 19th-century French composers upon discovering the beauties of the Italian Renaissance. A journey conceived by conductor Léo Warynski and his ensemble Les Métaboles, a revelation in recent years in the field of choral music.

By playing on the hypnotic repetition of floating motifs, minimalist music offers a fascinating sonic experience. This is the case with Another Look at Harmony, a sumptuous work by the American Philip Glass, the last part of which, for choir and organ, draws on references to Gregorian chant. Renowned interpreters of the music of our time, Les Métaboles and their conductor Léo Warynski are joined by scenographers and directors Céline Diez and Clément Debailleul to dedicate a captivating musical and visual spectacle to him.

This program spans over three centuries of history, notably revealing the aesthetic shock experienced by 19th-century French composers upon discovering the beauties of the Italian Renaissance. A journey conceived by conductor Léo Warynski and his ensemble Les Métaboles, a revelation in recent years in the field of choral music.

Johannes Brahms' Liebeslieder Walzer are among the composer’s most popular works. Written between 1869 and 1874 for piano four hands and choir, set to texts by the poet Georg Friedrich Daumer, these love songs express desire, nostalgia, sorrow, and amusement in turn, in a dialogue of hearts. Their dance-like character called for movement. Les Métaboles then teamed up with Benjamin Millepied to create a choreographed version, showcasing bodies and how people love today.

Johannes Brahms' Liebeslieder Walzer are among the composer’s most popular works. Written between 1869 and 1874 for piano four hands and choir, set to texts by the poet Georg Friedrich Daumer, these love songs express desire, nostalgia, sorrow, and amusement in turn, in a dialogue of hearts. Their dance-like character called for movement. Les Métaboles then teamed up with Benjamin Millepied to create a choreographed version, showcasing bodies and how people love today.

Johannes Brahms' Liebeslieder Walzer are among the composer’s most popular works. Written between 1869 and 1874 for piano four hands and choir, set to texts by the poet Georg Friedrich Daumer, these love songs express desire, nostalgia, sorrow, and amusement in turn, in a dialogue of hearts. Their dance-like character called for movement. Les Métaboles then teamed up with Benjamin Millepied to create a choreographed version, showcasing bodies and how people love today.

Johannes Brahms' Liebeslieder Walzer are among the composer’s most popular works. Written between 1869 and 1874 for piano four hands and choir, set to texts by the poet Georg Friedrich Daumer, these love songs express desire, nostalgia, sorrow, and amusement in turn, in a dialogue of hearts. Their dance-like character called for movement. Les Métaboles then teamed up with Benjamin Millepied to create a choreographed version, showcasing bodies and how people love today.

Johannes Brahms' Liebeslieder Walzer are among the composer’s most popular works. Written between 1869 and 1874 for piano four hands and choir, set to texts by the poet Georg Friedrich Daumer, these love songs express desire, nostalgia, sorrow, and amusement in turn, in a dialogue of hearts. Their dance-like character called for movement. Les Métaboles then teamed up with Benjamin Millepied to create a choreographed version, showcasing bodies and how people love today.

Johannes Brahms' Liebeslieder Walzer are among the composer’s most popular works. Written between 1869 and 1874 for piano four hands and choir, set to texts by the poet Georg Friedrich Daumer, these love songs express desire, nostalgia, sorrow, and amusement in turn, in a dialogue of hearts. Their dance-like character called for movement. Les Métaboles then teamed up with Benjamin Millepied to create a choreographed version, showcasing bodies and how people love today.

Conceived specifically for Les Métaboles, this creation will explore the universal symbolism of the circle, a metaphor for perpetual motion and continuous transformation, and will draw a parallel with the myth of Circe, an emblematic figure who, in a contemporary reinterpretation, embodies magic as inner transformation.

Conceived specifically for Les Métaboles, this creation will explore the universal symbolism of the circle, a metaphor for perpetual motion and continuous transformation, and will draw a parallel with the myth of Circe, an emblematic figure who, in a contemporary reinterpretation, embodies magic as inner transformation.

By playing on the hypnotic repetition of floating motifs, minimalist music offers a fascinating sonic experience. This is the case with Another Look at Harmony, a sumptuous work by the American Philip Glass, the last part of which, for choir and organ, draws on references to Gregorian chant. Renowned interpreters of the music of our time, Les Métaboles and their conductor Léo Warynski are joined by scenographers and directors Céline Diez and Clément Debailleul to dedicate a captivating musical and visual spectacle to him.

Conceived specifically for Les Métaboles, this creation will explore the universal symbolism of the circle, a metaphor for perpetual motion and continuous transformation, and will draw a parallel with the myth of Circe, an emblematic figure who, in a contemporary reinterpretation, embodies magic as inner transformation.